The artist chooses a transparent paper as a base for the pictures, on which the photo emuslion is applied. Through the development process, the paper receives a vital, in part, torn – thus injured – three-dimensional surface, which lends this series the character on transient photographic objects. The paper is emancipated of ist function as a base medium and becomes predominantly a base for a purpose, such as supporting the photograph in its power of expression.

Maria Schindelegger
The Foreigner Ruhend Butterfly The Friends
 
The Cathedrial Queen in Heaven Landscape Environment
Photoemulsion on transparent paper
Gallery Göttlicher, Krems, Austria, 2007
Gallery Gans, Vienna, 2007
National Gallery, Prague, 2005