....the circle also closes in content, in which nature previously subjected to injury now injures itself and appears destructive, although the “Open-Air Pictures” are to certain extent a symbol of reconciliation in which Marielis Seyler presents the injuring and being subjected to injury as being merely a part of a natural and necessary cycle of life.

Maria Schindelegger
Open air Open air Open air  
 
Open air Open air Open air  
Silver gelatine photographs; Collage
National Gallery, Prague 2005
SOHO20 Gallery, New York 2001